A while back I had the honour of having both a short story and a small book review published in the inaugural issue of The Bolo Tie Collective’s annual anthology. While the short story casts a dark shadow on Edmonton’s 104th Avenue, the book review below takes a lighter approach to local author Liam Leroux’s short publication, Ostrich MgQuarck is the Worst Detective in the World.
This review is a personal perspective on Tracey Lindberg’s Birdie, and outlines my own impressions regarding this narrative. There are no spoilers, so if you haven’t read it yet, don’t worry! If you have, I would love to hear your own reflections in the comments below!
Weaving many flash-fiction works into a single, bound narrative, Paulo Da Costa’s The Midwife of Torment paints humanity in its honest bright colours and oscillating emotions of anger, anguish, terror, and curiosity. Between the pages of these sudden fictions lies the nuance of our everyday existence, filtered through Da Costa’s own internal struggle concerning his simultaneous anger and affection for modern humanity.
Fun shapes, bold colours–certainly terms that describe the visual creations of Emily Storvold.
Still, anyone close to her knows that under her more playful layer is a head brimming with philosophical rumination, and more specifically, rumination as it relates to existence. That’s probably why she reacted so positively when I found myself asking:
“Hey, you want to talk about death?”