For the last six years, I’ve been a freelancer. Even when I was still at school, even when I worked full time as a server, an administrator, an intern, I managed a whole other venture on the side, building it step-by-step. Just six months ago, I decided to take the full brunt of it–I risked my livelihood in trusting my trade to vest the rewards for which my heart yearned: not just money, but freedom. And, I wanted to create a life that was only writing.
“What?” you may be asking. “Writers don’t make money doing what they love.”
Well, believe what you want, but right now I want to tell you how I am challenging those odds and making money writing for others, writing for myself, and writing exactly what I want to be writing–no regrets.
This review is a personal perspective on Tracey Lindberg’s Birdie, and outlines my own impressions regarding this narrative. There are no spoilers, so if you haven’t read it yet, don’t worry! If you have, I would love to hear your own reflections in the comments below!
The following Book Review by Jessica Barratt was originally published at Prism international. Read the full review here, or by clicking below!
Weaving many flash-fiction works into a single, bound narrative, Paulo Da Costa’s The Midwife of Torment paints humanity in its honest bright colours and oscillating emotions of anger, anguish, terror, and curiosity. Between the pages of these sudden fictions lies the nuance of our everyday existence, filtered through Da Costa’s own internal struggle concerning his simultaneous anger and affection for modern humanity.